LOCAL: An exhibition by HND Contemporary Art Practice students

LOCAL: Heather Lane & James Howden LOCAL 7

Local is an exhibition by HND Contemporary Art Practice (CAP) students from the Granton Campus of the Edinburgh College. The artworks that can be seen in the exhibition at North Edinburgh Arts until February the 23rd are the culmination of a project which was instigated in September 2012 by ourselves, Alan Holligan & Jennie Temple, course lecturers on HND CAP, with priceless support from Lynn McCabe and the North Edinburgh Social History Group.

The Contemporary Art Practice course has been running very successfully since 2007. The course provides a range of excellent opportunities for students to develop a broad understanding of artistic practice.  Alan and I had for some time been discussing how to develop a strong working connection between the CAP Course, the local community and surrounding areas of North Edinburgh. Beyond the college location, and the students who came to us who lived locally, we recognised that although we were part of a Community College (then Edinburgh’s Telford College: a stalwart of North Edinburgh for many years) we felt professional connection to our immediate surroundings could be stronger. We acknowledged that we bussed in and out of work every day, passing through the community in which our workplace was rooted, and also acknowledged that this was something we did not feel entirely comfortable about. As a result we started to discuss the possibility of a project for our HND 2nd year students that we hoped would, at the very least, begin a dialogue with some our neighbours.

We initially approached a couple of local groups to see if they would be interested in meeting with us, and subsequently our students. We couldn’t have anticipated the warmth with which we were greeted and quite quickly we were able to establish links and visits with (the amazing) North Edinburgh Social History Group and North Edinburgh Arts (with whom we already had some links). These visits were incredibly informative and allowed us to immediately understand the local area more fully, and in a way that we had never before: An area steeped in history; an area that had once been rich farmland; an area that had been home to a post-war camp; an area that the Duke of Buccleuch had happily called home, and much, much more. The students were instantly engaged and brought a range of rich contributions to the discussions: amongst the group of 11 students the majority was similar to us; they did not know the area very well. However, there is one current student (and we have had several prior) who grew up in the area and who has been able to give a very subjective insight into his relationship with North Edinburgh, alongside a few other students with friends and relatives in the area.

After these initial meetings and an amazing guided mini-bus tour of the area, generously facilitated by members of the Social History Group, we set the students the project. They were to spend two weeks responding to the local area and draw on the information that they had received from the experts. We would then present the resulting artworks to the Social History Group at the College.

At this point, we were all very excited, but could not have anticipated just how successful and stimulating the project would be. The students worked exceptionally hard from the moment the project started and responded in meaningful, thoughtful and sensitive ways. In retrospect, we realised that the students’ sense of responsibility to the Social History Group and the residents of North Edinburgh meant that they approached the project with a strong sense of integrity and a determination to make artworks that did not patronise or misrepresent the (sometimes sensitive and personal) issues that had been discussed within the meetings. The provision of a very unambiguous context for the artwork allowed the students to work in a way that was fundamentally different to normal project work: they had an audience that they did not know very well, and they were making work which they would themselves present to their audience.

As the initial stage of the project drew to a conclusion, we arranged a date for some members of the Social History Group to come and lunch with us and to view the works. The students were understandably nervous and worried: What if they didn’t like what we had done? Quickly it became clear that there was no need for nerves and all of the artworks were exceptionally well received and prompted lively, important and some emotional discussion amongst everyone present. The success and positive reception of the artworks went far, far beyond our expectations and we all knew immediately that we had to take the project to its next logical step: to exhibit the works, beyond the walls of the college and within the local community. And that is where we are now. The exhibition is an exciting opportunity for the staff and students to continue to engage with our local area and we are privileged to be taking part in what we hope to be the first stage of a long and prosperous collaboration between the students and staff of the HND Contemporary Art Practice course and the local residents and communities of North Edinburgh.

Jennie Temple.

The exhibition will run until the 23rd of February at North Edinburgh Arts, Tuesday-Friday 10am-8pm Sat 10am – 1pm, with a day of discussion and art-workshops to take place on Wednesday the 20th February from 10am until 3pm. Places are free but limited and booking is essential. Please book a place by emailing admin@northedinburgharts.co.uk or call 0131 315 2515

Recruitment is currently taking place for HND Contemporary Art Practice Course at the Edinburgh College, Granton Campus. If you are interested please visit the College website for further information and online application.

www.edinburghcollege.ac.uk

North Edinburgh News Article 1

Malcolm Chisholm MSP opens LOCAL Exhibition

CAP @ Edinburgh College Review of 2012:

There is little doubt that 2012 was among the most eventful years for us at #cap_etc. Multiple highs have been followed by occasional but necessary lows, necessary in so much that they help us recognize and appreciate the highs.

Paul Diamond Installation copy

Here There; Exhibition by AIRetc… Paul Diamond at ESW. Click on Image for more details

In January the year began with the mixed emotions due to the departure after an extremely successful 4 months of Artist in Residence Paul Diamond who ended his time with us with a fantastic site specific project with students and an excellent exhibition of work developed and produced during the residency at Telford college. The exhibition at Edinburgh Sculpture Workshop was very well received. Since completing the residency Paul has gone on to even better things but more of that later.

As January turned over to February the devastating news of Mike Kelleys untimely departure filtered through the studios promoting gasps of disbelief and sadness, we had so enjoyed his exhibition at Baltic during a field trip just a few months before. CAP student Charlie Wilkie-Sullivan who  was a particular admirer of Kelleys work wrote a piece for this blog in response to the news. http://contemporaryartetc.com/?s=mike+kelley

Spirits were soon lifted however with the arrival of our next AIR resident Natalie Wilson who began her occupation of ‘the studio next door’.

Natalie Wilson

AIRetc… Natalie Wilson Setting in to studio. Click on Image for more details.

Natalie’s impact was immediate as she struck up conversations with students and staff, always inquisitive and helpful Natalie had a significant impact on the

course sharing her enthusiasm, knowledge and occasional frustration for all things digital.

Spring saw us embark on the annual CAP trip to a foreign city beginning with the letter B. So far we have only managed Berlin and Basel and until Berlin stops being; the centre off the european if not world contemporary art scene, almost, unbearably cool and wonderfully inexpensive it is doubtful we will revisit Basel or see Budapest, Barcelona, Boston, or Bogota  any time soon. Highlights of the trip included, finally getting more than one member of the CAP team on the trip and once again the Boros Bunker.

Natalie Doyle copy

Diploma Exhibition: Image by and of Natalie Doyle.

Spring is always a tense time in the studios as both years are working on their Graded Units and expectant applicants are hammering away at the refresh button on the UCAS website as news of interviews and offers start to permeate the building. The stress although unavoidable, was misplaced however as 2012 will go down in the CAP history books as the most successful year ever as 100% of those applying got an unconditional offer for 1 of their top 2 choices. All applicants got places on degree courses in Glasgow, Edinburgh or Dundee. 1 applicant who already had a degree in a non art related subject was offered and is doing very well on a combined master course in Art & Philosophy in Dundee.

As the tension of anticipated futures subsided thoughts turned to the end of year exhibition. Unfortunately due to the transition between the old and new buildings it wasn’t possible to hold the CAP2 Diploma Show at our usual venue of the Edinburgh Sculpture Workshop. Instead the show opened at the Old Ambulance Depot in late May to excellent reviews and record attendances.

Natalie Extract

Natalie Wilson: Installation View of ‘Extract at ESW. Click on Image for more details.

The OA Depot is a great venue that has some really strong shows throughout the year, is affordable, well supported and we would certainly recommend to anyone looking for a mid sized exhibition space in the city.

Soon after the show however the disappointment that we couldn’t exhibit in what had become something of a spiritual second home faded as staff and studio reps were invited to the opening of the brand new Edinburgh Sculpture Workshop and it was announced that after a 7 year informal partnership with the CAP course at Edinburgh’s Telford College the 2 organisations had signed a formal partnership agreement which would establish ESW as an Employability Centre for CAP students studying at Edinburgh College guaranteeing students full professional membership, supported access to the workshops facilities, exhibition and professional practice workshops and opportunities. This milestone deal with the course will last for 10 years! Not a bad way to end the 2011/12 academic session!

More good news followed as we attended the fantastic degree shows of many former CAPers throughout June.

ESW Growth Project

CAP1 Growth Project Collaborative Construction & Exhibition at ESW . Click on Image for more Info

In July and August things took a slower pace but soon picked up again with the influx of a new CAP1 group who were madesuitably welcome by the CAP2 devised and executed induction week project! Billed as a tea party it turned into a something more akin to riot in a charity shop! Excellent!

It wasnt long before we were taking advantage of our new parnership with ESW as AIRetc… Natalie Wilson exhibited the work she had developed and produced during her residency with us. The show, only the second ever in the ESW Eduardo Paolozzi Project Space was beautiful and articulate. A very fitting outcome to very successful residency.

Talking of fitting outcomes, I did say we would come back to our previous AIRetc… Artist, Paul Diamond, who started work as the Graduate Studio Assistant at the University of Edinburgh’s world renowned School of Architecture in October.

Gregor Morrison; Development Detail

Gregor Morrison; Development Detail. Click on Image for more Info.

October was also the month in which CAP1 started their 7 week project at ESW. After 7 years of working with successive CAP1 groups in the old ESW building, which wasnot without its charms, you can be assure it was an absolute pleasure to be in a building with floods of natural light and heating. The outcomes which were exhibited in a staff student collaborative exhibition and review by 2 of the CAP1 participants can be found in the post immediately below this one or by clicking HERE

The third and final AIRetc… Participant for 2012 Gregor Morrison arrived at the the start of October and has been vigorously carving, drawing and printing away in the studio next door ever since. His energy and enthusiasm for printmaking with the the FAD12 students has been infectious providing group and 1-1 support to a range of students. We hope to have news of an exhibition of Gregor’s work very soon.

If anyone is wondering why no mention has been made of the momentus October 1st event that was the merger of the 3 colleges into the newly formed Edinburgh College.

North Edinburgh History Group and CAP2 discussing the work produced for LOCAL

North Edinburgh History Group and CAP2 discussing the work produced for LOCAL. Click on Image for more info.

The truth is that other than the momentary consideration being given changing the name from CAPetc to CAPec the truth is that so far at least the course has been unaffected. Whether that remains the case or not, remains to be seen.

The final months of the the year were packed full of activity in and out of the studio particularly particularly for the CAP2 students who participated in an new LOCAL

project. The premise of the project was to engage with the Political, social and geographical history of the area local to the Granton Campus of the college and to produce artwork in response to the engagement and subsequent research. The, ongoing project involved meetings and presentations for and by the North Edinburgh Local History Group at the North Edinburgh Art centre in Muirhouse. News on the next phase of the LOCAL project will be announced very soon!

Rachael, Kirsty & Rhona at the opening of their exhibition 'Crit'. Click on the image for more info!

Rachael, Kirsty & Rhona at the opening of their exhibition ‘Crit’. Click on the image for more info!

Not satisfied with the with the already significant demands of Year 2 of the course the CAP2 group took it upon themselves to initiate an exhibition of their work entirely unsupported by the college or the staff. Having been inspired by the previous CAP2 group who graduated in June the show, entitled ‘Crit’, took place once again at the Old Ambulance Depot. The show was a genuine triumph and testimony to the groups talents and ambition.

So, thats about it really in terms of the high points of the 2012, there have been many,  indeed the only thing missing has been a wedding! Perhaps this year…………?

Alan Holligan, Edinburgh, Jan 2013

LOCAL: New art / community project launched in North Edinburgh

NESHG & CAP_ETC first meeting at North Edinburgh Arts

LOCAL is a recently launched ongoing collaborative  project which seeks to establish community links between Contemporary Art students and staff from  Edinburgh College (Granton) and the local communities of North Edinburgh. The project was launched at North Edinburgh Art Centre in September when we met with the North Edinburgh Social History Group (NESHG). The group and local  Community Learning and Development worker Lynn McCabe, gave a fantastic presentation about the ares surrounding the Granton Campus from its time as land of gentry as part of  the Duke Buccleuch Estate, through the industrialisation of the forth ports, the relocation of the Leith Street slums through to the rent strikes and activism of the last 40 years. After a lively Q&A session which spilled over into lunchtime the group brought the history to life during a bus tour of the local area.

At the end of the tour students were given the task of developing artwork/s in response to the presentation the tour and their discussions.

This week the group; Roberta Blaikie, Brian Eddington, Anna Hutchison, Ian Moore, Brian Robertson and Lynn McCabe joined us at the Granton Campus for lunch followed by a presentation of the work the students had produced. The response from the group was overwhelmingly positive and the discussions were fantastic. Speaking on behalf of the group Lynn said;

“We were all blown away by the creativeness of the students work and the relevance of their art  to many of the issues which North Edinburgh has experienced over many years.  It was a really inspiring afternoon and great to see such a positive relationship flourish between the college and  the community”.

Everyone at ContemporaryArtETC is equally delighted with how the project is developing;

“The students have responded extremely well to the brief and we are very happy that everyone has resoponded so well to the project. This is only the first part of what we all hope will be a long, strong and creative relationship”. Alan Holligan Lecturer at ContemporaryArtETC

Images from the initial meeting and the presentation by the students are viewable below. LOCAL will continue and we hope the next stage will involve a public presentation of the work and workshops within the community.

This slideshow requires JavaScript.

AH

From Scotland to Sunny Blunts… Article from Hartlepool Mail

Click on the link below to see the article in last weeks Hartlepool Mail about our recent visit to the Apollo Pavilion in Peterlee.

http://www.hartlepoolmail.co.uk/community/from_scotland_to_sunny_blunts_1_3728119

Curator from Scottish National Galleries visits Telford’s Artist In Residence

The Art & Design Team were delighted to welcome Lauren Rigby to the ARIRetc… studio last week. Lauren is a curator at the Scottish National Gallery of Modern Art and was in Telford to see new work by current AIR Stephanie Cairns who will be showing the gallery at the end of February.

Speaking during her visit to the ‘AIRetc…’ studio, Lauren said:
“We – Scottish National GOMA and The Trustees of the John Watson Prize – are delighted to be presenting Stephanie Cairns’ new work. We are sure that it has been invaluable for Stephanie to have access to the studio space and facilities available to her at the College while she is working as Artist in Residence and preparing for her display.”

Click on the link below to see a full article on the Telford website.

http://www.ed-coll.ac.uk/news/showNews.aspx?NewsID=94

Art e-Facts 81: Susan Philpsz 2010 Turner Prize Winner and the Telford CAP Student:

Question: What’s the connection between 2010 Turner Prize winning Scottish Artist Susan Phillipsz and the HND Contemporary Art Practice course at Telford College?

Answer: 47 Film

In May this year Film 47 documented Phillpsz Prize winning work ‘Lowlands’. The final film was submitted to the Turner Art Committee for judgement ad there is little doubt that 47 Film’s film footage helped Susan secure her prize

At around the same time Filmogropher Andy Cameron of 47 Film, was working closely with Art & Design student Natalie Doyle on the recording of Natalies’ Final Major Project work of her Foundation Course here at Telford College. Natalies’  movie focuses on social relationships through the Internet and how identity is built up through that medium. CAP Alumni Lauren McLaughlin and Gordon Douglas also appear within the film.

The following is a short documentary about the film:

Andy Cameron works freelance in and around Scotland and has worked for the Edinburgh Art Festival, the Glasgow International Arts Festival and has been published on several high profile websites.

For further information email 47 film at:

andy@47film.com
47film@googlemail.com

Telford College Partner in The Big Arts Give Christmas Challenge 2010

Telford College and Contemporary Art Practice partner Edinburgh Sculpture Workshop (ESW) is one of only six Scottish charities selected to participate in the Big Arts Give Christmas Challenge, UK-wide campaign supported by the Scottish Government and Arts & Business which aims to raise £3m in total by increasing the incentives for supporting the arts.

Until Friday 31 December, all donations made through the Big Arts Give website will help ESW raise funds for the New Sculpture Centre

The Big Idea

To create a purpose-built sculpture centre in Edinburgh providing the facilities and services needed by artists to support them at all stages in their careers and to provide a valuable public resource which will enable people of all ages and ability to learn about contemporary sculpture.

ContemporaryArtETC.. has a long standing and highly productive partnership with ESW allowing our learners to produce and exhibit work in a professional, supportive and highly respected organisation. The new purpose built sculpture centre, the only one of its kind in the UK, will allow us to take the partnership to to a new level and we need your help to make it happen and secure this exciting future.

A limited number of donations and match funded and all money raised will go towards the cost of building the new sculpture centre.

If you would like to support Edinburgh Sculpture Workshop please make your donation through the Big Arts Give website by following the link below:

Big Arts Give Christmas Challenge

ContemporaryArtETC.com Relaunched!

Hello and welcome back to the new look HND Contemporary Art Practice course Blog; ContemporaryArtETC.com

As we reach our 3rd year anniversary and our 200,000th hit the team felt that the blog was in need of a nip here and a tuck there. As a result regular visitors will notice a number of changes to the overall look and feel of the site.

The new design / theme features a  two-level navigation system with drop-down menus. The first level features navigation through the separate pages featured on the site many of which have been updated including the Alumni, Gallery and Course Information pages.The second level allows you to search posting by their various categories which have also been updated and streamlined making posts and subjects easier to find.

So, we hope you all enjoy the new look site and that you will continue to come back time and again for the latest art e-facts,  art e-maps, news, views and reviews.

A special thanks must go  to Alumni member and Guest Lecturer Ben Fallon for designing the wonderful new header for the site.

Best wishes to all.

The CAP team

Edinburgh’s Telford College launches Artist In Residence Programme

The Art & Design Team at Edinburgh’s Telford College are delighted to launch an innovative Artist in Residence programme with the announcement of our first participant, Stephanie Cairns.

The Artist in Residence programme (AIRetc…) is an innovative scheme which provides recently graduated / professional artist and designers with a dedicated studio space within the Art & Design dept as well as access to specialist resources and facilities.

Stephanie, a former student on the Art & Design Foundation and HND courses here at Telford, graduated in July from Edinburgh College of Arts Sculpture School with 1st Class Honours and will start her 12 week residency with us immediately. As well as giving Stephanie the opportunity to interact with learners in the studios she will also develop a new body of work for an up coming show at the National Gallery of Modern Art in January.

Talking about the opportunity Stephanie said “I am delighted to have been invited to be  Telfords first ever Artist In Residence and I am looking forward to the opportunity to  develop and share my work and practice in a creative and supportive environment.

The motivational and inspirational tutoring I received at Telford while studying instilled a strong work ethic, which allowed me to achieve my goals, and I hope that my time here will help do the same for others.”

Although such schemes already exist at primary, secondary and HE education levels this is the first of its kind in the Scottish FE sector and will allow learners and lecturers alike to observe and interact with current practioners.

Art & Design Curriculum Manager, Colette Woods, said: “This is a very exciting development for the team and our learners. It will provide an opportunity for learners to have direct access to and contact with professional contemporary practitioners who are developing new bodies of work as well as offering recent graduates the chance to gain valuable experience of working in a dynamic, professional learning and teaching environment.”

The AIRetc… programme is open to practicing Artists who have previously studied Art & Design at Edinburgh’s Telford College. The selection and support of the artists in residence will be undertaken by the AIRetc.. committee which is made up of a cross section of staff from the Art & Design team.

As part of the programme AIR participants will publish regular blog postings at www.airetc.wordpress.com.

Telford’s Partners, Edinburgh Sculpture Workshop Receives £3m Arts Investment

Edinburgh’s Telford College’s are delighted to hear that its partners at Edinburgh Sculpture Workshop have heard yesterday, 26 October 2010, that they have won a £3M Arts Funding Prize from the Scottish Community Foundation.

The anonymous donor funding the prize has given the Scottish Community Foundation – a charity that specialises in supporting philanthropic giving – the green light to award £3M to the Edinburgh Sculpture Workshop to create a world class research and production facility at its Newhaven site.

Telford’s Fine Art Curriculum Leader and Board Member of Edinburgh Sculpture Workshop, Alan Holligan said:
“Edinburgh’s Telford College has had a long relationship with the Edinburgh Sculpture Workshop so we are therefore delighted to hear of this generous investment to develop in north Edinburgh a state-of-the-art sculpture centre. There is nothing like this currently anywhere else in the UK and it will give our learners the opportunity to continue to develop their industry knowledge and skills in a creative environment alongside professional artists and creative and cultural entrepreneurs.”
The Creative Laboratories will provide a mix of indoor and open-air workspaces around a central courtyard. Together with the sculpture centre, the Laboratories will create a vibrant cultural hub of benefit to the whole city. The addition of viewing areas and a café will open up the space to visitors. The primary purpose of the competition was to fund a building of exceptional architectural and cultural merit within the City of Edinburgh, which will enable residents and visitors to the city to experience or participate in the arts.
Edinburgh Sculpture Workshop’s Creative Laboratories beat off stiff competition for the prize from the Scottish Book Trust and Edinburgh College of Art. Designed by Sutherland Hussey Architects, the Creative Laboratories will be a unique new building situated alongside Edinburgh Sculpture Workshop’s new £5m sculpture centre.
Director of Edinburgh Sculpture Workshop, Irene Kernan, said:
“This is an amazing opportunity for Edinburgh Sculpture Workshop which will enable us to fulfill our ambitions to create a world class sculpture centre in the city. The Arts Funding Prize represents a major investment in future generations of artists and will be a major resource for our local community in Newhaven as well as the city as a whole.
“The partnerships Edinburgh Sculpture Workshop has with Telford has been hugely successful and the Creative Laboratories will now allow us to expand our partnership and to further develop interdisciplinary practices and provide graduates with the stepping stones to a career in the arts.”
Professor Bill Scott Chair of the Board of Directors at Edinburgh Sculpture Workshop said:
“The working partnership with Telford and Edinburgh Sculpture Workshop demonstrates collaboration at its best – Edinburgh’s Telford College was the first college to really connect with Edinburgh Sculpture Workshop and the development now of the Creative Laboratories will offer huge learning experiences to students.”
Chair of the Judging Panel, Bob Benson said:
“The panel felt Edinburgh Sculpture Workshop’s proposal offered the most inspiring combination of exciting architecture and cultural impact. Its Newhaven location will expand the artistic geography of the city, and create a unique cultural venue in this part of Edinburgh.
“Along with offering our wholehearted congratulations to the Edinburgh Sculpture Workshop, the panel would also like to commend the Scottish Community Foundation for the smooth running of this award. It ensured the best projects were put forward for this prize and enabled the donor to make a high profile contribution to Edinburgh’s cultural landscape while preserving their anonymity.”
The Centre is expected to open in 2013.

Art e-Facts 80: David Shrigley, An important message about the arts.

Glasgow based artist David Shrigley has made a short animated film in support of the ‘Save the Arts’ campaign.

The Save the Arts campaign is organised by the London branch of the Turning Point Network, a national consortium of over 2,000 arts organisations and artists dedicated to working together and finding new ways to support the arts in the UK.

The aim of the Save the Arts campaign is to encourage people to sign a petition which will be sent to the Culture Secretary, Jeremy Hunt. It points out that it has taken 50 years to create a vibrant arts culture in Britain that is the envy of the world and appeals to the government not to slash arts funding and risk destroying this long-term achievement and the social and economic benefits it brings to all. Source: http://savethearts-uk.blogspot.com/

Find out more, and sign the petition, at savethearts.org.uk


Budget cuts would devastate the arts, warn theatre and gallery directors: The Guardian

Job losses, widespread closures and damage to audiences and Britain’s reputation would follow, say leading figures

Leading figures in the art world have pleaded yesterday with the government “cut us but don’t kill us” and warned of dire consequences for audiences at home and Britain’s reputation abroad if threatened cuts of 25% are pushed through.

The Arts Council has warned that such cuts over the next four years would mean dropping at least 200 arts organisations out of more than 800 they fund, with the loss of thousands of jobs.

Read the rest of this article from the Guardian here: http://www.guardian.co.uk/culture/2010/jul/15/arts-cuts-budget-letter


This article was published on guardian.co.uk at 13.46 BST on Thursday 15 July 2010. A version appeared on p11 of the Main section section of the Guardian on Friday 16 July 2010. It was last modified at 17.25 BST on Thursday 15 July 2010.

In an era of austerity, reasons to fund the arts: Article from The Art Newspaper

Culture is a social language that we would be dumb without
It is 70 years since a British government last had to take the arts seriously. In December 1939, in a world darkened by war, winter and blackout, a small group of civil servants and educators met to discuss the crisis in the arts. Great museums and galleries were empty, their contents packed off to safety from bombing. The theatres were shut, orchestras about to disband. The committee agreed that it was essential “to show publicly and unmistakably that the Government cares about the cultural life of the country. This country is supposed to be fighting for civilisation.”

The rest of this article can be read by clicking here: The Art Newspaper

The writer is professor of cultural policy and leadership studies at City University London

Louise Bourgeois 1911 – 2010

louisewhite.jpg bourgeois-sculpt-004.jpg lb.jpg

In a career spanning more than six decades, the work of Louise Bourgeois encompassed the fields of sculpture and installation, painting, drawing, prints and illustrated books, which have been influenced strongly by autobiographical and psychological experiences as well as Surrealism. Born, Paris in 1911, Louise Bourgeois studied at various art schools and assisted in the tapestry restoration business of her father where she made drawings for restorations. With her husband, an art historian specializing in tribal arts, she moved to New York in 1938 and continued her studies at the Arts Students’ League in New York, before developing her complex and unique artistic work.

Lousie Bourgeois died of a heart attack on may 31st 2010 aged 98. She is survived by her two sons.

http://www.galeriepieceunique.com/infoframes/bourgeois.htm

http://www.guardian.co.uk/artanddesign/2010/may/31/louise-bourgeois-obituary-art

FOR INFORMATION ON FINE ART COURSES IN EDINBURGH PLEASE CLICK HERE

Embassy Graduate Show Curated by Alan Holligan with Exhibition Text by Jennie Temple

CUT?PASTE

CUT/PASTE

ContemporaryArtETC are delighted to be supporting CUT/PASTE a show of recent graduates at the Embassy Gallery in Edinburgh.

The exhibition which is centered around the theme of collage and assemblage was conceived and selected by ContemporatArtETC course leader Alan Holligan after his voyage around the degree shows for Art World magazine.

In the most important times in our existence we try to make sense of our place and time by cutting up the past and re-ordering the future.

At the turn of the 20th century collage and assemblage came to the fore as a legitimate means of visual and cultural expression. The lineage of this act of creative destruction can be traced to the invention of paper in China in 200BC but it was the rise of Modernism that necessitated a technique, which took the pre-existing: the already, and tore, cut and slashed it before it was re-proposed giving rise to new understanding and meaning.

The artists who feature in CUT/PASTE have graduated during the most turbulent and uncertain of times. Nearly a full century since Picasso and Braque re-defined collage by taking the subject of the café and colliding it with the surface of the painting they are acutely aware of the contextual past & present and do not shy away or hide from it.

Alan Holligan 2009

CUT / PASTE

Embassy graduates show 2009

19th September – 11th October

Thurs – Sun 12-6pm

Katherine Gallacher, Johnathan Long, Travis Souza, Diane Edwards, Thomas Nolan, Omar Z. Bhatia, Mikhak Mirmahmoudi

Selected by Alan Holligan

Come to ART LATE – The CITY WIDE end of Festival Party

Edinburgh Art Festival would like to invite you to Art Late, our city-wide end of Festival party. It’s the ultimate opportunity to celebrate Edinburgh’s incredible visual arts scene, and it won’t cost you a bean.

The night begins at 6pm at the Ingleby Gallery with a collaborative performance from musician Wounded Knee and dancer Ianthe Wright. Later, two contrasting tours will set out from the gallery leading people round the Festival offering different experiences of the exhibitions: The Giving Tour and the Blank Canvas Bike Tour.

The ‘Spin Tour’ will set out from Talbot Rice Gallery at 6pm and is a personal introduction to exhibitions open as part of ART LATE. There’s also a live reading by Phil Kay, printmaking demonstration, artists’ performances and an exploration of the underbelly of Edinburgh’s infamous historical episodes.

If you are feeling independent, and would rather follow your own muse, there are 18 galleries open that evening for you to explore at your leisure.

ART LATE culminates at 9.30pm with Smoke – a collaborative work by local artists to create a night of music, performance and nicotine at niteclub Electric Circus on Market Street.

It’s going to be great. You can find out all about it here:

http://www.edinburghartfestival.com/09-festival-programme/events/art-late/

Book your place and download your e-ticket. The ticket gets you entry to all Art Late venues, and without it you can’t come in!

We hope you get the chance to join us for one final night of festival fun to draw to a close the 2009 Edinburgh Art Festival.

Art World 2009 Degree Show Report

The Art World 2009 UK Degree Show round up is available now in the August / September international edition of the magazine. This years round up features 20 graduates from accross the UK including 7 artists selected from Aberdeen, Cumbria, Dundee, Edinburgh, Glasgow & Newcastle by our very own chief contributor and Curriculum Leader Alan Holligan.

“It was a real honour to be asked to contribute once again to Art Worlds annual reveiw graduating fine art talent. The opportunity to see, consider and comment on so much work from the colleges our students aspire too provides valuable insight into current concerns of emerging artists and the various schools they are graduating from. The quality of the work was very high this year throughout all the shows I visited and I am encouraged by the high standards and breadth of practice.”

Art World magazine is available from all major stockist of Contemporay and Fine Art periodicals. Suscribe on line at:

http://www.artworldmagazine.com.au/

ContemporaryArtETC…to report on Degree Shows for Art World Magazine

After a successful 2008 round up ContemporaryArtETC… will once again be adorning the Deerstalker and heading for the richest of hunting grounds to report on this years emerging talent for Art World Magazine.

This year we are casting our gaze a little further by adding Newcastle, where we are today and Dundee, covered last week, to our hit list.

In the next 7 days we will visit:

Newcastle University, Cumbria University, Edinburgh College of Art, Glasgow School of Art, Gray’s School of Art, Aberdeen and Glasgow School of Art.

ContemporaryArtETC… Diploma Show at Edinburgh Sculpture Workshop.

ContemporaryArtETC… are delighted to present images from the current HN Diploma Show, XX – Collective.

XX – Collective, the first ever Contemporary Art Higher National Diploma Exhibition is on now at Edinburgh Sculpture Workshop and features drawing, painting, sculpture, video, photography and performance.

More than just a Degree of success:

Contemporary Art Practice students inundated with offers:

At the time of publication the 2009 UCAS stats for HND Contemporary Art Practice Year 2 candidates at Edinburgh’s Telford College are as follows:

  • 100% received 1 or more HE Degree offer.
  • 78% received 2 or more HE Degree offers.
  • 33% received 3 or more HE Degree offers.
  • 90% received offers @ SCQF Level 9 (equivalent to entry level 3 in Scotland)
  • 67% received offers @ SCQF Level 8 (equivalent to entry level 2 in Scotland)

Every year thousands of Art & Design students from hundreds of schools and FE colleges throughout the country apply for Fine Art and Design degree courses in the UK. Competitions for places is extremely high; Edinburgh College of Art for example receives more applications than Oxford and Cambridge. Successfully gaining a place on these courses is a significant achievement for any applicant.

Although such achievements are predominantly down to the hard work, dedication and creative output of the applicants themselves there can be no doubt that the influence of a highly creative, well resourced and supportive art dept along with the input of highly qualified and professional artists / lecturers can have a significant and lasting influence on the future success of students whether they choose to go on to Higher Education or directly into the Creative Industries.

The HND in Contemporary Art Practice at Edinburgh’s Telford College has a growing reputation as one of the most successful courses in the country. Our progression rates continue to be amongst the highest in the FE sector.

This year places have been offered on the following courses:

Edinburgh College of Art:

  • BA(hons) Intermedia
  • BA(hons) Painting
  • BA(hons) Sculpture

Glasgow School of Art:

  • BA(hons) Sculpture and Environmental Art

University of Cumbria:

  • BA(hons) Fine Art

University of Newcastle:

  • BA(hons) Fine Art

If you would like to study on one of the most innovative and successful Fine Art HND courses in the UK then why not APPLY NOW.

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