AIRetc… Residency Application OPEN!

APPLICATIONS FOR 2019-20 SESSION NOW OPEN 

DEADLINE: Thursday 20th JUNE 2018

The Artist in Residence programme (AIRetc…) at Edinburgh College is an innovative scheme which provides recently graduated / professional artists who has previously studied at Edinburgh College with the opportunity to develop their creative practice in a dedicated studio space and gain knowledge, skills and experience in Art education.

Now in our 8th successful year AIRetc… are currently looking for 2 artists to participate in the 2019-20 academic programme.

Please download the information and application for below.

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air-application-form-2019-20air-information-for-applicants 19-20

Please note all communication should be via email provided and should include a delivery and read receipt request.

@edinburghcoll #CAPalumni pals win fellowship to Venice Biennale

HND Contemporary Art Practice graduates Lauren Wilson and Aimee McCallum have beaten off strong competition form across the country to  spend a month living and working in Venice at the worlds largest and most prestigious  contemporary art expo the Venice Biennale. 

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The pair who first met here at Edinburgh College while studying on the foundation course went on to join us on CAPetc… Graduating in summer 2017 they then took up their guaranteed places on the BAhons Fine Art course at the University of Cumbria as part of our articulation agreement.

Although they are currently working hard on their respective degree shows, both are looking forward to spending the month of July immersing themselves in this fantastic opportunity.

Find out more about what Aimee and Lauren will be doing and how they and their current lecturers feel about their achievement by clicking the link:

https://www.cumbria.ac.uk/about/news/articles/articles/fine-art-friends-win-prestigious-british-council-fellowships-for-world-famous-venice-biennale.php#

AIRetc… 18-19 Application Open

The Art Team at Edinburgh College Granton are delighted to announce our call for applications for our 2017-18 Artist in Residence (AIRetc) programme.

We are looking for 2 artists to contribute to one of the countries most successful and dynamic Art Departments. Now in its 7th year the Artist in Residence programme (AIRetc…) is an innovative scheme which provides recently graduated / professional artists who have previously studied a fine / contemporary art course at Edinburgh College Granton (formerly Edinburgh’s Telford College) with the opportunity to develop their knowledge, skills and experience in Art education while developing their creative practice in a dedicated studio space.

If you would like to be considered for the residencies please download the information below and the application form.  

Application Deadline Thursday 15th June 2018

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air-information-for-applicants 18-19

2|1|4|1 Call for submissions for drawing exhibition:

Scottish artist collective 2|1|4|1 presents Draw In, an exhibition exploring the role of drawing in emerging contemporary art practice.

Read more…

Venue – St Margarets House Edinburgh
Deadline – May 31st
Exhibition dates – 8 – 31st July 2014

Taking inspiration from and responding to such sources as The Fruitmarket Gallery’s 2009 Exhibition “The end of the line: Attitudes in Drawing”, publications such as “Vitamin D : New Perspectives in Drawing” and David Shrigley’s 2013 Turner Prize installation, 2|1|4|1 invites participants to consider the role of drawing in their own contemporary art practice.

We wish to explore the transformation of the medium of drawing within the quotidian workings of early career artists today. In a time when numerous artists are subverting the traditional concept of drawing and/or its role to serve their practices, we wish to conduct a critical examination of the expanded medium of drawing in its widest sense. The programme will showcase a diverse range of early career artists’ practice-based productions and specific reactions to this theme.

For more details go to the 2|1|4|1 website: http://2-1-4-1.com/Draw-In-Call-For-Submissions

Modern Edinburgh Film School & HND Contemporary Art Practice Link up

Guest blogger Alex Hetherington presents: Modern Edinburgh Film School

Alex Hetherington Modern 1    Alex Hetherington Modern 5    Alex Hetherington Modern 3    Alex Hetherington Modern 4

Images Courtesy of Alex Hetherington: Modern Edinburgh Film School

Modern Edinburgh Film School – a temporary participatory film school, combining themes of the sculptural screen, film and poetry, narrative and space, event as image, and acoustics and noise as form – is curated by the visual artist Alex Hetherington in association with Edinburgh Sculpture Workshop.

It acts as a kind of prism, reflecting, connected and transparent surfaces – where one thing can be seen through another – on the activities, functions and architecture of the Sculpture Workshop’s

new building and outward to contexts, processes and activities externally, as satellite disparate engagements. It is informed by propositions and practices by a range of national and international artists demonstrating concerns between improvisational, meticulous and sensitively drawn associations in poetry, film, moving image, space and sculpture. It hopes to work as a season of projects, appearing and disappearing, being seen discreetly, at spaces and venues across the city in 2013.

Its propositions, which are elusive and allusive include a series of essays, of indicators of historical and contemporary activity, a slight curriculum: Edgar Schmitz, Anne Colvin, AA Bronson, Tom Marioni, Trisha Donnelly, Samantha Donnelly, Rachel Harrison, Martin Kippenberger, Harry Everett Smith, Marcel Broodthaers & Aurélien Froment and traits found in contributors, influencers and cameos such as Stephen Sutcliffe, Anthony Schrag, Anne Colvin, Lyndsay Mann, Hazel France, Sarah Forrest, Ute Aurand, Sarah Neely, Lauren Gault, Debi Banerjee, Benjamin Fallon, Zoë Fothergill,  Raydale Dower, and others.

The project, meanwhile is informed by the free school, and alternative learning approaches, inhabiting an arc of combined themes of the sculptural screen, film and poetry, narrative and space, event as image, and acoustics and noise as form. Education here becomes an obstacle, articulating thoughts on commitment, graduation, qualification and drifting attention, and the possibilities of promiscuous coincidences, synchronicity.  Meanwhile it contains two considerations of time, Modern and School, and the meanings of those in abrasion to a city with faint film vocabularies, traditions, establishment and authority and museums. In turn it contains thoughts on exhibitions, fictions and contrivances: outputs, alongside the essays are, transparent letter texts on black glass (solid film credits), zines and print, and a series of events and talks: Green Screen, Group Show, A Party for Young Artists, Edinburgh Homosexual, The Hand that Holds The Desert Down, A Library.

From the outset the School sought practitioners from different stages of their careers, including students in formal education, as well as those working at a professional level in contemporary art. After an open discussion on the work, and its ambitions, at Contemporary Art Practice at Edinburgh College and an open call, that followed  the conventions of applying for work in that professional setting: 4 images, statement and moving image samples,  two practitioners were identified to become part of the project, to attend works, and respond finally with a time-based submission for a portmanteau film for a screening at Edinburgh Sculpture Workshop’s appearance at the Edinburgh Art Festival in August 2013.

All the applicants in this process responded to different aspects of the shaping of Modern Edinburgh Film School, some revealing questions on the political status of such an undertaking, others looking at the subject of the poetic and the sublime, how literature and words give potent expression to filmmaking, how the digital might inform the sculptural.

The two successful candidates are Shareen Sorour and Kaitlyn Walker-Stewart whose applications both alluded to the symmetries, echoes and architectures of film, poetry and sculpture, while containing experimental and diverse approaches to the screen, the performative, time, the object, surface and representation. While still very early stage visual art practitioners their portfolios contain intriguing enquiries.

Shareen Sarour- Inside - Outside     Kaitlyn Walker-Stewart

Sharren Sarour: Outside: Inside; Still from Video.                 Kaitlyn Walker-Stewart: Barriers; Still from video

Modern Edinburgh Film School commences 15 March with a screening at Edinburgh Sculpture Workshop and a group show, Green Screen, co-curated with Embassy, followed there by performances and talks during March, and later a discussion on this collaboration at Edinburgh College of Art.

I would like to thank Alan Holligan, Jennie Temple and Colette Woods at Edinburgh College for their continued generous support of my practice in general and the work to be carried out for Modern Edinburgh Film School in particular.

Alex Hetherington, Edinburgh, February 2013.