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Art e-Facts 62

 

In the mid-seventies American Artist Leon Golub destroyed nearly every work he produced nearly abandoned painting. In the late seventies, however, he produced more than a hundred portraits of public figures, among them political leaders, dictators, and religious figures. Leon Golub: Paintings, 1950-2000 includes several portraits of Nelson Rockefeller and Ho Chi Minh, along with images of Fidel Castro, Francisco Franco, Richard Nixon, and Henry Kissinger.

In the 1980s Golub turned his attention to terrorism in a variety of forms, from the subversive operations of governments to urban street violence. Killing fields, torture chambers, bars, and brothels became inspiration and subject for work that dealt with such themes as violent aggression, racial inequality, gender ambiguity, oppression, and exclusion. Among the work produced in this period are the series Mercenaries, Interrogation, Riot, and Horsing Around.

Art e-Facts 61

 

The International Klein Blue (IKB) is a deep blue hue first mixed by the French artist Yves Klein.

International Klein Blue was developed by French artist Yves Klein as part of his search for colors which best represented the concepts he wished to convey as an artist. Although Klein had worked with blue extensively in his earlier career, it was not until 1958 that he used it as the central component of a piece (the color effectively becoming the art). Klein embarked on a series of monochromatic works using IKB as the central theme. These included performance art where Klein painted models’ naked bodies and had them walk, roll and sprawl upon blank canvases as well as more conventional single-color canvases.

The secret of IKB’s remarkable visual impact comes from its heavy reliance on Ultramarine, as well as Klein’s often thick and textured application of paint to canvas.

IKB was developed by Klein and chemists to have the same color brightness and intensity as dry pigments, which it achieves by suspending dry pigment in a clear synthetic resin. This new medium was patented by Klein.

International Klein Blue is outside the gamut of computer displays, and can therefore not be accurately portrayed on this page.

FOR INFORMATION ON FINE ART COURSES IN EDINBURGH PLEASE CLICK HERE

Art e-Facts 60

MONUMENTA is a new contemporary art event providing leading international artists with the opportunity to engage with the great steel-and-glass nave of Paris’s Grand Palais, through the creation of a series of totally new installations. Reflecting the extraordinary dynamism of the international contemporary art scene, MONUMENTA is a unique opportunity to discover the work of some of today’s greatest living artists.

Anselm Kiefer, Richard Serra and Christian Boltanski will create the first three installations in the MONUMENTA series. Renowned international artist Anselm Kiefer, presented the first work in the series – a spectacular, entirely new installation – from May 30, 2007. MONUMENTA 2008 will feature the American sculptor Richard Serra, followed by one of France’s leading artists, Christian Boltanski, in 2009.

Recently renovated, the Grand Palais is a unique space, in Paris and the world. Created for the 1900 Exposition Universelle, the Grand Palais is an architectural treasure on a vast, monumental scale. Its immense glass roof soars to a height of 60 meters beneath the central dome, and the nave extends for over 200 meters at ground level, covering a surface of some 13,500 square meters in a single span. This historic venue is the setting for an array of leading cultural events.

www.monumenta.com

10 Thousand Thank You’s

The HND Contemporary Art Practice Team at Edinburgh’s Telford College are delighted to announce that: At approximately 11:37hrs GMT today we received our 10,000th hit.

What can we say? Other than thank you to all the folks from all over the globe who have visited us over the last 8 months. We very much hope you have enjoyed the blog and we will go to every effort to keep you informed and up to date with news and views.

Thank you again.

Ed!

Art e-Facts 59

 

Gordon Matta-Clark was born in New York on June 22, 1943, to artists Roberto Matta and Anna Clark. Teeny Duchamp, Marcel’s wife, was Matta-Clark’s godmother. Matta-Clark’s childhood was spent in New York, Paris, and Chile. He studied architecture at Cornell University in 1963-68.

In 1969, Matta-Clark moved back to New York. Over the following two years, he explored the metamorphic possibilities of cooking, beginning by frying Polaroid photographs in oil with gold leaf. In the early 1970s, he helped organize 112 Greene Street, an exhibition space showing new art. He also collaborated on Food, a combined restaurant and performance piece; made Garbage Wall, a prototype shelter for the homeless; and was active in building SoHo as an artists’ community. He addressed popular culture in the 1973 Photoglyphs, hand-colored black-and-white photographs depicting New York’s burgeoning graffiti.

During the 1970s, Matta-Clark made the works for which he is best known: his “anarchitecture.” These were temporary works created by sawing and carving sections out of buildings, most of which were scheduled to be destroyed. He documented these projects in photography and film. Although he made interventions into a former iron foundry in Genoa, Italy, in 1973, his first large-scale project has been defined as Splitting (1974). To create this work, Matta-Clark sawed two parallel slices through a nondescript wood-frame house in Englewood, New Jersey, and removed the material between the two cuts. In addition, he cut out the corners of the house’s roof, which were subsequently shown at John Gibson Gallery in New York. He made similar gestures in some of his photographs, cutting the actual negatives rather than manipulating individual prints.

http://www.guggenheimcollection.org/site/artist_bio_105A.html

FOR INFORMATION ON FINE ART COURSES IN EDINBURGH PLEASE CLICK HERE

Roche Lobe Variables: Exhibition

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An Exhibition of collaborative works by Karen Kirkwood & Ewan Robertson at The Park Gallery Falkirk.

Exhibition opening 1pm 3pm on Saturday 1st September.

Roche Lobe Variables is a series of collaborative drawings by artist, Karen Kirkwood & Ewan Robertson. The works are generated by a cumulative drawing process where images are exchanged and re-worked several times until a state of agreement is reached.

T he work combines aspects of each artists’ own practice and is a facinating exploration of the drawing process.

The exhibition also includes paintings by Karen and sculpptures by Ewan.

The artists’ will discuss their work at and Artists’ Talk on Wed 19th Sept 2pm – 3pm

Exhibition runs untill 27th October

theparkgallery

Opening Times Mon – Sat 10am – 5pm & Sun 2pm – 5pm

Art e-Facts 58

 

After his death on the 22nd of February 1987 Andy Warhol‘s estate was decided by the courts to be worth, conservatively, over half a billion dollars: $509,979,278.00. The Warhol Foundation contested this figure in court and it was eventually reduced to $228 million. It was to the Foundation’s advantage to have a lower evaluation of Warhol’s paintings because it meant they would have to pay less in legal fees to the attorney for the estate who was on a percentage of 2.5% of the value of the estate. Also, The Foundation was legally obligated to award 5 percent of its assets for charitable grants and a lower valuation meant that they would have to pay out less money.

In order to back up their legal challenge for a lesser evaluation, the Foundation argued in court that Warhol was not as great an artist as some independent experts believed him to be. Art dealer Andre Emmerich testified for the Foundation that Warhol’s work was likely to fade into obscurity because the subjects of his paintings (Marilyn Monroe, Elvis etc…) would eventually be forgotten. The Foundation paid Emmerich $4,000 a day to testify plus $3,500 for preparatory work.

A Warm Welcome

Today saw the official launch of the HND Contemporary Art Practice course at ETC and we welcomed our 1st batch of HN candidates. We also welcomed back our HND Public Art group and over the coming year we will keep you up to date with all things HN at ETC.

Finally keep your eyes peeled for the return of Fact of the Day (but not necessarily everyday).

Ed.

A Degree of Success

We would like to pass on our sincere congratulations to all the HND Public Art students who successfully completed their HND this Year. Well done to you all!!!!

However thats not all the good news.

Each one of the 11 have received Degree offers!!!!!!!!!!!

We are absolutely delighted for all and wish them luck in their creative futures at:

Edinburgh College of Art

Duncan of Jordanstone College of Art

Preston University

Newcastle University

Salford University

Hopefully they will keep us informed of their news

ED!

Episode IV: A New Hope

A

short

time from now

in a college not so far away

a new hope for art education is dawning.

At 09oohrs on Monday 27th of August 2007

the 1st ever students of the HND Contemporary Art Practice

will arrive at Edinburgh’s Telford College ready to do what needs to be done, to

rid the empire of banal art practices. Innovation and collaboration will ensure that light will

forever be cast into the darkest reaches of the creative universe. Tune in soon for Episode V: The Stuckists Strike Back.

 

 

 

Edinburgh Art Festival

www.edinburghartfestival.org

The Edinburgh Art Festival once again brings together an extraordinary range of visual arts exhibitions, events and activities. From Scotland’s National Galleries and Museums, to smaller independent spaces and artist-led initiatives, EAF provides a unique platform from which to take in each organisation’s summer show of 2007.

Using the website you can visit the wealth of artistic content that the city has on offer, from the Dean Gallery’s Picasso on Paper and the National Museum of Scotland’s Picasso Fired with Passion, to Edinburgh Printmakers’ exhibition of work by William Kentridge or The Fruitmarket Gallery’s new work by Alex Hartley. Why not try to take in some of the galleries or artists you don’t know – Nathan Coley (shortlisted for the 2007 Turner Prize) at doggerfisher, Martina Klein at sleeper and Michael Craik at Amber Roome? If you are not sure where to start try our Information Station at Stills to get you orientated.

There is also a large programme of events on offer. If you want to know more about contemporary
art or a particular artist, or feel like having a go yourself pick up a copy of our festival guide, or better yet, ask us for recommendations at the Information Station. We hope you enjoy EAF in all its variety as much as we enjoy joining forces with galleries and artists to offer you more.

Tessa Jackson
Chair, Edinburgh Art Festival

www.edinburghartfestival.org

 

Exhibition Opens Today 2-4pm all welcome

‘SETTLEMENT’

www.theopenseas.org

Exhibition Opens Today 2-4pm all welcome

North Edinburgh Arts Centre
15a Pennywell Court
Edinburgh EH4 4TZ

Runs til 2nd September
Thurs – Sat
10pm – 4pm

www.northedinburgharts.co.uk

settlement | bay circles around ideas of dwelling and passing. The exhibition builds on ephemeral and yet repeating scenes seen from a bay window in Leith. Here you can see the poetry of flying plastic bags and tarmac boredom. Continuously murmuring sound comes from unknown neighbours (all artists maybe?) with their own thoughts, speeches and actions. Images become sculptures, sculptures become space and sound. Set off by the visitors’ presence the scenario will turn. Discover the recurring images and patterns, the loops, the déjà-vus. What do they tell you, these endlessly appearing ordinary moments? They are on the move…

Artists:

Stefan Baumberger & Nicole Heidtke (~ in the fields),

Benjamin Fallon (onezeroprojects),

Jennie Temple

Christopher Walker

Louisa Preston @ ESW

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Louisa Preston envisages ideals, which exist in our constant manipulation of our surrounding urban environment and domestic spaces, our constant rearranging, modification and demolition making way for the latest new builds, and how these attempts at idealism leave the old and new in constant fluctuation and tension, the past and present in indeterminate flux.

Louisa is currently working at Edinburgh Sculpture Workshop making a new installation reflecting this sense of instability and unrest; over the timeframe of the show she will rework, reconstruct and remake an installation at the pavilion space of ESW in correspondence to the present surrounding environment and its historical roots. Documentation of the work in progress, updated daily on the ESW website.

www.edinburghsculpture.org

Magazine at ESW

If this message does not display correctly please click here

You are invited to the opening of MAGAZINE
at Edinburgh Sculpture Workshop

spectre-beacon-by-jessica-lloyd-jones.jpg “Spectre Beacon” by Jessica Lloyd-Jones

found-collecting-sounds.jpgFOUND collecting sounds at ESW 2007

Opening: Saturday 4th August 6-9pm

Showcasing new work by 15 artists, this year MAGAZINE takes place in the garden of Edinburgh Sculpture Workshop and at sites throughout Newhaven.

MAGAZINE artists:
John Dummett, FOUND, Andrea Geile, DeWitt Godfrey, Emma Herman-Smith, Jessica Lloyd-Jones, Eilidh McNair, Kevin McPhee, Janie Nicoll, Louisa Preston, Duncan Robertson, Anthony Schrag, Bill Scott, Ettie Spencer

On the opening night there will be a performance by Anthony Schrag and a major music and sound event from FOUND who will perform new work commissioned for ESW’s 20th anniversary.

Exhibition Dates:
August 5-26 (Thursdays to Sundays)
Opening Times: 11am to 5pm

esw-map.gif

25 Hawthornvale, Edinburgh, EH6 4JT
T: 0131 551 4490 | F: 0131 551 4491
E: admin@edinburghsculpture.org
W: www.edinburghsculpture.org

Please note: access to ESW is down a steep slope so please do contact us prior to your visit if you require assistance with physical access.

Getting here: Buses 7 & 11 from city centre
Parking available for people with disabilities. Please call for more information about access or interpretation.

www.edinburghsculpture.org

Edinburgh Sculpture Workshop is registered as Scotland
Company No. 123174 | Registered Charity No. SC002404

www.edinburghsculpture.org

ESW gratefully acknowledges financial support from the PRS Foundation. For more information about FOUND’s new music commission and ESW’s 20th anniversary events visit www.edinburghsculpture.org or etiquette.surfacepressure.net

Fin.

All round it was a fantastic time and Documenta 12 not living up to expectation we would all recommend the trip. The only regret is that we cannot manage to get to Venice for the Biennale.

Before moving on to subjects new we will leave you with a few additional photos.
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Kassel Day 2

After another night of food, drink and art chat we awoke for the final day of our art tour The Neue Galerie.. This part of Documenta had a much more classic museum like display featuring darkened rooms with boldly spot lit work. The particular highlight for all members of the group was the discovery of a series of drawings by the Indian artist Nasreen Mohamedi,

nasreen-mohamedi.jpg

the drawings primarily on square paper consist of simple lines in graphite or ink denoting architectural forms worked from Black and White photograph.

Courtesy: B. Fallon

Kassel Day 1

Having arrived in Kassel we spent an evening in the cosy environs of an outdoor courtyard housed within an artists community for young locals acting as a satellite to the four main galleries of Documenta 12.

After early nights all round we awoke refreshed and ready for another day of art and searing heat. We started the day in the Documenta Halle for a work by the artist Cosima Von Bonin comprising of a selection of her own work and that of others, the overall impression was that of disappointment, there was some good work but the display and concept left a lot to be desired.

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After a short ice cream break we wandered to the Museum von Fredericanium one of the larger galleries containing a huge amount of works of varying standards. Again the display was questionable throwing in works from the 17th century with works produced specifically for the show, giving the impression that the curator was playing games by drawing links through this diverse body of material. However there where a few standout works such as a video work by Hito Steyerl ‘Lovely Andrea’ which depicts the artists search for a 20 year old image of herself in a Japanese rope bondage magazine and discussing the idea of bondage to the job market.

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After this it was down to the Aue Pavilion, a specially constructed gallery showing the main body of the exhibition. At this point I may be sounding like a stuck record but variable work and odd display. There was a significant amount of painting in the pavilion and the consensus was that it was not of a particularly high standard. The one standout work was ‘Would you like to participate in an artistic experience’ by Ricardo Basbaum in this ongoing work the artist gives locals an art object and a set of instructions to take the object into there lives and document there actions. These pieces of documentation are then presented in the gallery within a sculptural environment featuring the ubiquitous cushions and mattresses of the relational artwork.
Courtesy: B. Fallon

Memory Lapse

Well it has just been one thing after another. Technical difficulties prevented daily blogging during the remainder of the trip and the plan was to upload a series of postings written while off line. Unfortunately the pen drive these were stored on has gone astray. This is hugely annoying as by far the best postings were on the drive including a rather witty description of a rather sweaty journey from Munster to Kassel in 37 degree heat and an incisive review of Munster Projects 2007.

I will not attempt to recreate these post but will summarise by saying the agreed highlights of Munster were; in no particular order:

Bruce Nauman:

nauman-munster.jpg nauman-munster-2.jpg nauma-munster-3.jpg

Manfred Pernice: (see previous post for images)

Dominique Gonzalez-Foerster:

gonzalez-foerster-munster.jpg gonzalez-foerster-munster-2.jpg gonzalez-foerster-munster-3.jpg gonzalez-foerster-munster-4.jpg

Susan Philipsz: ( click on name for text and images )

Mike Kelley:

mike-kelley-munster.jpg mike-kelley-munster-2.jpg mike-kelley-munster-3.jpg

and of course the play park was a particular hit for some:

ben-freind.jpg

ED

*next time Kassel and Documenta 12

A Walk in the Park

As any parents among you will know, very small children do not like to follow the rules of vacation and needless to say some of us were up very early this morning. This allowed for leisurely breakfasts before the serious business of Art took hold. It must be noted that there is no shortage of information or free maps available to help the avid viewer negotiate their way around what is a fairly compact city centre, which contains the significant majority of the art works. So off to work with the odd pit stop for coffee, book buying and play parks. As you will see Ben was clearly hogging the best games in the play park. There is a lot of work to see and the specially designed map allows the viewer to locate not only works commissioned for the 2007 event but also several works still in existence from previous projects.

for information about each project and a the artist biography click on the artists name

Manfred Pernice:

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Thomas Schütte:

thomas-schutte-model-for-a-museum.jpg thomas-schutte-model-for-a-museumdetail-1.jpg

Andreas Siekmann:

andreas-siekmann-trickle-down.jpg andreas-siekmann-trickle-down-detail.jpg

Iza Ganzken:

isa-genzken-untitled-detail.jpg isa-genzken-untitled-detail-1.jpg

Martha Rosler:

martha-rosler-unsettlingt-the-fragments-b.jpg martha-rosler-unsettlingt-the-fragments-a.jpg

Planes Trains and Automobiles:

As the title suggests all manner of transport was engaged during our epic 11hr journey  via Amsterdam the most interesting of which was the unexpected Auto Bus journey  due to rail maintenance. Although caught unawares and slightly panicked all coped admirable particularly the pigeon Deutsche speakers who prevented us taking a 200 mile detour.  Top marks go to the youngest member of the group who despite it all remained in good cheer throughout. Finally we made it to our respective accommodation in central Munster, home for the next 5 days.

This would seem like an appropriate moment to introduce the members of the travel party.

schipol-train-station.jpg

From Let right: Lesley, Jenny, Nicola, Ben, Francesca, David, Colette & Rose.

The next week or so we hope to make as many posts as possible including photos of the works we encounter and keeping you up to date with goings on.

 

ED.