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Author: cap_benjamin

Private View of XX – Collective at Edinburgh Sculpture Workshop Tonight

Published May 29, 2009

localhost:10076/ in association with Edinburgh's Telford College are delighted to announce the opening of XX – Collective at Edinburgh Sculpture Workshop this evening.

XX – Collective is the first ever HND Contemporary Art Practice Grad Show anywhere in the world and is the culmination of the collective efforts of the qualification development team, teaching staff and most importantly students over the past 4 years.

The exhibition features , painting, video, sculpture, drawing and performance by 9 artists each of whom present their unique view of the world.

Opening at 6pm this evening the exhibition will run daily from 10 – 6 until Wednesday the 3rd June

More than just a Degree of success:

Published May 12, 2009

Contemporary Art Practice students inundated with offers:

At the time of publication the 2009 UCAS stats for HND Contemporary Art Practice Year 2 candidates at Edinburgh’s Telford College are as follows:

  • 100% received 1 or more HE Degree offer.
  • 78% received 2 or more HE Degree offers.
  • 33% received 3 or more HE Degree offers.
  • 90% received offers @ SCQF Level 9 (equivalent to entry level 3 in Scotland)
  • 67% received offers @ SCQF Level 8 (equivalent to entry level 2 in Scotland)

Every year thousands of Art & Design students from hundreds of schools and FE colleges throughout the country apply for Fine Art and Design degree courses in the UK. Competitions for places is extremely high; Edinburgh College of Art for example receives more applications than Oxford and Cambridge. Successfully gaining a place on these courses is a significant achievement for any applicant.

Although such achievements are predominantly down to the hard work, dedication and creative output of the applicants themselves there can be no doubt that the influence of a highly creative, well resourced and supportive art dept along with the input of highly qualified and professional artists / lecturers can have a significant and lasting influence on the future success of students whether they choose to go on to Higher Education or directly into the Creative Industries.

The HND in Contemporary Art Practice at Edinburgh’s Telford College has a growing reputation as one of the most successful courses in the country. Our progression rates continue to be amongst the highest in the FE sector.

This year places have been offered on the following courses:

Edinburgh College of Art:

  • BA(hons) Intermedia
  • BA(hons) Painting
  • BA(hons) Sculpture

Glasgow School of Art:

  • BA(hons) Sculpture and Environmental Art

University of Cumbria:

  • BA(hons) Fine Art

University of Newcastle:

  • BA(hons) Fine Art

If you would like to study on one of the most innovative and successful Fine Art HND courses in the UK then why not APPLY NOW.

Apply now for l!fe chang!ng opportun!t!es @ Ed!nburgh’s Creat!ve Art School.

Published May 3, 2009

Despite record numbers of applications there are still a number of places left on all of the FineArtETC courses for next session.

If you would like to be part of one of Scotland’s largest, most highly regarded and well equipped Creative Art Schools with record progression rates into Higher Education Diploma / Degree courses and into work then APPLY NOW!

Edinburgh Art Festival Exhibition Opportunity @ Edinburgh Sculpture Workshop

Published April 25, 2009

Deadline: Monday 25 May 2009, 5pm
Edinburgh Sculpture Workshop is seeking proposals for its annual festival exhibition, MAGAZINE, during August 2009, a part of the Edinburgh Art Festival.

MAGAZINE ‘09 is the first of a two-part project inspired by the planned development of ESW’s new international centre for contemporary sculpture. This first stage will examine notions of creative space as being formed by the relationships between individuals, objects and activities, an active participant rather than a passive container. The proposals should be a response to 1 of 3 spaces within the building (Education Space, Project Space and Pavilion 1) and should somehow alter, subvert or reinterpret the notion of creative space.
“At some point architecture becomes sculpture, and sculpture becomes architecture; at some point they meet….. For instance a wall is an element of architecture. The dimension of that wall is also an element of sculpture” (Isamu Noguchi Architectural Forum Oct. 1948 p74)

Applicants are welcome to visit ESW and view the available spaces – just phone 0131 551 4490 or e-mail admin@edinburghsculpture.org to arrange a time.

Each of the successful artists will be given sole access to one of the spaces, and successful applicants will receive a materials budget.
To Apply: Application pack available from the office next week (to include a 500 word proposal, CV, artist statement and up to 8 images).

Proposals can be sent by e-mail or post: by e-mail to: gordon@edinburghsculpture.org or by post* to Gordon Munro, Edinburgh Sculpture Workshop, 25 Hawthornvale, Newhaven, Edinburgh  EH6 4JT.
* Due to limited space, postal applications can only be stored for one month. If you would like your application to be returned, please enclose a SAE or arrange for its collection.
Further Information: To register interest and receive further information, please e-mail gordon@edinburghsculpture.org or admin@edinburghsculpture.org or phone 0131 551 4490.
Applicants are welcome to visit ESW and view the available spaces – just phone 0131 551 4490 or e-mail admin@edinburghsculpture.org to arrange a time.

BBC Radio 4 Reunites Young British Artists

Published April 19, 2009

The Reunion is a series which reunites a group of people intimately involved in a moment of modern history. In this weeks programme Sue MacGregor brings together some of the young artists who emerged in the 1990s to create the Brit Art movement – Tracey Emin, Gavin Turk, Abigail Lane, Mat Collishaw and Gregor Muir.

Click on the link below to listen to the programme.

http://www.bbc.co.uk/programmes/b00jqxl5

ContemporaryArtETC.. greet new staff to the team.

Published February 25, 2009

ContemporaryArtETC are delighted to announce the arrival of 2 new members of the staff team. Heather Craig and Jen Outhwaite.

Heather who has been a prominent of the FineArtETC team at Edinburgh’s Telford College for 5 years will replace Neil Manning as a Lecturer during his time as Acting Curriculum Manager. Heather who graduated from the Intermedia course at Edinburgh College of Art (ECA) is a practicing artist with an impressive CV including being lead singer of underground electro/punk/pop/art outfit The Gussets.

Jen is new to both the college and the course and has an equally impressive back ground, graduating in 2008 form the Sculpture School at ECA. Jen joins us as our very 1st Learning Assistant.

Some of our regular readers might remember that both Heather and Jen have featured on this site before as both have joined us on separate trips to Germany. Jen joined us in Muster and Kassel in the summer of 2007 and Heather helped maintain order at 5th Berlin Biennale.

Jen and Heather will bring new perspectives, thinking, skills, vibrancy and enthusiasm to the team and we are very much looking forward to working with them.

For further information on all the course team please visit the Staff Page

ContemporaryArtETC Graduates in showcase of contemporary Scottish art.

Published February 15, 2009

Graduates from Edinburgh’s Telford College’s Fine Art Programmes feature strongly in Exhibition showcasing the very best of contemporary Scottish art.

The inaugural RSA New Contemporaries exhibition presents some of the finest up-and-coming artists and architects in Scotland, selected from the 2008 undergraduate degree shows. The exhibition is an exciting and innovative move by the Royal Scottish Academy as it replaces the pre-graduation, open submission, mish-mash that was the annual student show with a post-graduation selection of the best of the four Scottish art schools and six architecture schools.

Ruth Barry who graduated from Edinburgh’s Telford Colleges (ETC) innovative Fine Art HND programme has presented a combination of table, table-top sculpture and watercolour painting in new work commissioned especially for the exhibition. An impressive work for which Ruth was presented with ESW Research Award for excellence in Contemporary Sculpture practice at the opening Gala by RSA President Prof Bill Scott. Ruth recently arrived back in the UK after working the education dept of the Guggenheim Museum in New York and she will move to London next month to continue her career in Fine Art.

Other FineArtETC graduates featured in the exhibition are Alex McAndrew whose dark glittering mountain dominates the landscape of the sculpture court and Kevin Harman who presents a rather understated wall piece featuring multiple tools which have been stripped of their original surfaces.

Both Kevin and Alex studied on the BTEC Foundation in Art & Design at Edinburgh’s Telford College.

Colin Greenslade, RSA Programme Director, comments: “We envisaged that the development of this exhibition will be one of the most important initiatives for emerging artists in Scotland each year, enabling a ‘first exhibition’ opportunity for some 60+ emergent artists annually. The exhibition will be an unique opportunity to see the best of Scotland’s emerging talent under one roof.”

RSA NEW CONTEMPORARIES

14 to 25 February 2009. Open Monday to Saturday 10am – 5pm, Sunday 12noon – 5pm. RSA Upper & Lower Galleries, The Royal Scottish Academy, The Mound, Edinburgh, EH2 2EL. Admission £2 / £1 conc

THE SKINNY

Site / Sight opens Tonight

Published February 5, 2009

Sight / Site is an exhibition of new works by year 2 participants of the HND Contemporary Art course at Edinburgh’s Telford College. The exhibition deals with the dual themes of visual impairment & location in response to the current exhibition at the Royal Botanical Gardens in Edinburgh by artist Rosita MacKenzies; who is herself blind. The work has not been developed specifically for those with visual impairment but rather deals with the individual concerns of the artists. Taking the Royal Botanical Gardens as their source / site of research the work explores and attempts to tackle some of the apparent contradictions between visual art and visual impairment.

Sight / Site is open on Wednesday 4th – Friday 6th February from 10am – 5:30pm

This event will coincide with the opening of the Richard Demarco Archive also at Edinburgh’s Telford College.

ContemporaryArtETC… student exhibits in City Art Centre

Published January 31, 2009

Lex Sumptuaria by Sarah Wilson

An artwork by HND Contemporary Art Practice Year 2 participant Sarah Wilson has been selected for the annual exhibition of Visual Arts Scotland which opened at the City Art Centre in Edinburgh last night. The exhibition offers a rare chance to see some of the best painting, sculpture, printmaking, jewellery, ceramics, glass, textiles, furniture and photography in Scotland all under one roof.

This is a great honour for Sarah who’s work was selected from among 750 submissions many of which were made by professional artists and degree graduates. It is testimony to the quality of the work produced by participants on the ground breaking course at Edinburgh’s Telford College that Sarah is exhibiting in such illustrious company.

The work, which was produced in response to a course brief, is brass plaque mounted on wood with an engraving of the definition of the Lex Sumptuaria an ancient Roman law outlawing the public display of wealth during times of economic hardship.

The exhibition is open daily until 19th March

City Art Centre
 2 Market Street. Tel: 0131 529 3993

ContemporaryArtETC Graduates show opens in Carlilse

Published January 27, 2009

Congratulations to ContemporaryArtETC graduates Jennifer Ferns, Lynn Mouat & Daine Cornwall who’s latest works featured in “Therfore I am” an exhibition of new work at Cumbria University’s Fine Art Campus in Carlisle. The exhibition which is of a very professional standard was developed, organised and promoted by the students themselves giving them invaluable experience in organisation and co-operation.

The opening of the show coincided with a visit to the campus of our current HN students all of whom have applied to the Fine Art course at Cumbria University.

During the visit we were kindly invited to take part in the gallery walk through which involved all the exhibitors giving a short presentation providing valuable insight into their work.

The exhibition “Therefore I am” is open daily from 10am – 4pm until Friday the 30th January

University of Cumbria, Caldewgate Campus, Newcastle Street, Carlilse

City/Town:

New Studios for HND Contemporary Art students.

Published January 8, 2009

localhost:10076/ is delighted to announce our recent move to brand new studio accommodation in Edinburgh's Telford College. The new studio has allowed us to allocate individual spaces to all of our current students in years 1 & 2 of the HND Contemporary Art Practice course.

As well as individual spaces the studio is also equipped with networked iMac computers and personal lockable storage. Having their own spaces means that students can take ownership of the studio allowing them to carry out sustained research, development and production.

As well as the new studio students continue to have access to specialist studios and workshops including; flexible and well lit life drawing and drawing & painting studio and specialist workshops for wood and metal production.

Newcastle Visit

Published December 8, 2008

The images above are from our recent day trip to Newcastle with our colleagues from the HND Vis Com Illustration course. First stop was the Fine Art School at Newcastle University where we were greeted with light refreshments and an excellent introduction to the courses and facilities by admissions tutor Gavin Robson.

After a quick lunch the next stop was the Workplace Gallery which has re-located to new premises in a former post office. The gallery can be found in the shadow of the iconic Gateshead multi storey car park designed by Owen Luder Partnership 1964 and was made famous in the classic 1970’s british gangster flick ‘Get Carter ‘ featuring Michael Caine. Workplace is a commercial gallery run by artists and it represents a portfolio of emerging and established artists through the gallery programme, curatorial projects and art fairs. The current show FEEDBACKER by Peter J. Evans features drawing, sculpture and performance over 3 floors and is very much worth a visit before it ends on 20th Dec 2008.

On then to the Baltic Centre for Contemporary Art for an introduction to the institution and the George Maciunas Fluxus exhibition which brings together the largest collection of Fluxus work ever exhibited in the UK. The extensive exhibition continues till 15th Feb 2009 and is supported by a range of online resources available through the Baltic Archive.

Finally we herded back on the bus for a moonlit and frankly baltic pit stop at the Angel of the North our final destination on the itinerary before our return to Edinburgh.

localhost:10076/ at Edinburgh's Telford College would like to thank everyone who contributed to a great day out of the studio Mike from Hunters Coaches of Loanhead who's good humour and patience was very much appreciated.

For more information regarding the places we visited click on the links above or visit the recently added Art e-Map of Newcastle in the links panel.

Visiting Artists: Dean Hughes

Published December 4, 2008

Students and staff at localhost:10076/ would like to thank Dean Hughes for providing an insight into his practice as a contemporary artist. Dean presented and discussed a range of work dating from his early years at Chelsea College of Art & Design in 1993 right up to his most recent body of work which was recently acquired by the Saatchi Gallery.

Dean utalises the language and media of the every day to bring fresh perspective to our often unnoticed daily routines. From the re-embroidery of London bus seats through the re-hydration of waterless puddles to the re-interpretation of the fundamentals of the pre-paperless office using A4 paper, hole punch and staplers he quietly and skillfully intervenes into pre-existing givens.

Dean will be returning to Edinburgh’s Telford College in the new year in his capacity as head of the Intermedia dept at Edinburgh College of Art to talk to HN CAP students about the Intermedia degree programme.

http://www.saatchi-gallery.co.uk/artists/artpages/dean_hughes_shelves1.htm

http://www.dicksmithgallery.co.uk/ga/bio/bio_dh.html

http://www.doggerfisher.com/artists_ex/artistdetail.php?id=85

Art e-Facts 78: Mark Leckey

Published December 1, 2008

 

Mark Leckey was this evening announced as the winner of the 2008 Turner Prize winner by Australian Rock Star NIck Cave at a ceremony at Tate Britain.

One of the most controversial Turner Prize exhibitions for many years the exhibition has been vilified by visitors and critics alike. Leckey was robust in his response to the critics however dismissing the British critical establishment as having an unhealthy interest in ‘mid-brow’ art.

Art e-Facts 77: Langlands & Bell

Published November 26, 2008

In 2002 they were commissioned by the Imperial War Museum to research the War in Afganistan. As a result of their the pair produced a trilogy of works including The House of Osama bin Laden, an interactive computer animation of the house occupied by Osama bin Laden in the late 1990s. The work, which utalised state of the art gaming technology of the day allows the viewer to move through digital landscape seeking that which is no longer present.

In 2004 the work won the British Academy of Film and Television Arts award (BAFTA) for Interactive Art Installation. The work also featured in their Turner Prize nominated show at Tate Britain in the same year. A second work in the trilogy Zardads Dog which documented the trail of Abdullah Shah, nicknamed Zardad’s Dog because of his penchant for biting his victims before murdering them, was withdrawn from exhibition amid fears that it may be held in contempt of court during the then trial of Afghan warlord Faryadi Sarwar Zardad.

Talbot Rice Gallery, Edinburgh as part of the Langlands & Bell Films & Animations 1978 – 2008 exhibition until December 13th. Other notable works in the exhibition include 2008’s ‘Departure‘ a ‘Guerilla Website’ linked to wallpaper.com and ‘Kitchen’ their first film collaboration from 1978.

The staff and students of localhost:10076/ would like to thank Zoë Fothergill and the Talbot Rice Gallery for the excellent talk and tour we received at the exhibition.

www.langlandsandbell.com

www.wallpaper.com/art/langlands–bell-digital-exclusive/2369

www.trg.ed.ac.uk/

Edinburgh Sculpture Workshop @ WASPs presents: Lyndsay Mann and Ewan Robertson

Published November 12, 2008

Lynsay Mann & Ewan Robertson

TBG&S Installation, Dublin 2008 Casimir in Monoceros, 2007

Edinburgh Sculpture Workshop presents a two person exhibition featuring new work by Edinburgh based artists Lyndsey Mann & Ewan Robertson will open tomorrow night 13th Novemebr at Patriothall Gallery, Stockbridge.

Lyndsay Mann and Ewan Robertson share a sensibility in their approach to materials, each following diverse areas of research which leads to both multi-disciplinary processes and practice.

This new recent work by Ewan Robertson further explores interests in physicality: it’s material nature; constituents; fabric and status lying somewhere between the experiential and the physical, between object and installation. Drawn together from individual strands as diverse as mechanical music, the LA coastline, vehicles and props in non-violent action, linear systems / events / narratives, the work has a slow-burn feel and has almost self-formed into a singular sense or entity speaking about presence, silence and shadow. Like a newly uttered visual sentence it seems caught perpetually in the moment before thought condenses and meaning is fixed. It feels like a momentary clearing in fog that quietly subsumes but shows light traces of its tangential origins.

Lyndsay Mann’s work explores the most fundamental aspects of our experience: desire and dread, faith and futility. She follows simultaneously intuitive and pragmatic routes within her enquiries, often employing labour intensive processes in her work; using simple and inexpensive materials to suggest an environment of appropriation and a submission to process, manipulating familiar materials removed from their common context simulates a ritual. Mann’s writing, which is integral to her practice, falls somewhere between a manifesto and a self-help text, taking the form of suggested hypotheses or personal statements, neither definitive nor absolute. Abstracted from larger texts, she creates mantra-style sound bites within the works. Most recently she has developed this through sound recording during her residency at Stills gallery.
For Mann, combining multi-dimensional elements of her practice creates a dialogue which the viewer interrupts and becomes party to, assigned a role within the created dynamic to produce event, experience, and witness.

Opening: Thursday 13th November 6-8pm

Dates: 14th-30th November
Exhibition open: Thursdays to Sundays only
Opening times: Thursdays & Fridays 12-6pm, Saturdays and Sundays 12-5pm

There will be an artists’ talk on Sunday 23rd November from 2-3pm at WASPS, Patriothall.

Entry to the exhibition and talk is free.

Edinburgh Sculpture Workshop at WASPS, Patriothall in Stockbridge.
WASPS, 1D Patriothall, Off Hamilton Place
Stockbridge, Edinburgh EH3 5AY

Caravan of Horrors to premier new work.

Published October 29, 2008

ContemporaryArtETC are pleased to announce that a new video work by staff member Alan Holligan will be premiered in the Caravan of Horrors at the Collective Gallery Edinburgh.

ONEZERO projects returns after an extended break to bring you ‘Caravan of Horrors’ the first outcome of a research project looking at the influence of Horror on Contemporary Art.

Caravan of Horrors will take place on Thursday the 30th of October in the Mobile Picture Salon which will be parked outside the Collective Gallery on Cockburn Street.

Onezero will be screening 5 works by:

Beagles and Ramsay
Alex Hetherington
Alan Holligan
Juri Ojaver
Catherine Street

Caravan of Horrors is running in conjunction with the launch of issue two of Fools in Print ‘AKA Tomfoolery’ as part of New Work Scotland 2008

Free Contemporary Artwork

Published October 2, 2008

To celebrate the 50,000th virtual visitor to localhost:10076/ we are giving away 50 individual contemporary artworks made by staff and students at ETC.

localhost:10076/ provides a number of online resources including contemporary art news, views, reviews, Art e-facts, art e-maps, course information and examples of student work for our readers old and new.

All you have to do to get your artwork is be one of the first 50 people to contact us at our email address:

contemporaryartetc@googlemail.com

In return we will send you one of the beautiful and individual mono-type drawings made by one of our staff or students.

Please include the following details:

Full name
Full Postal Address

Art e-Facts 76:

Published September 15, 2008

Killer to sleep with fishes in controversial art installation:

 

A convicted murderer is to be turned into a work of art should his final appeal against his sentence fail. Gene Hathorn (above), an inmate on death row convicted in 1985 of murdering his father, step-mother, and step-brother will be frozen, turned into fish food for hundreds of goldfish. Visitors to the exhibit will be asked to feed the occupants of a giant aquarium placed in a gallery . Copenhagen based artist Marco Everistti is continuing negotiations with American lawyers and an undisclosed company willing to help turn Hathorns remains into fish food.

Everistti, who is helping to fund Hathorn’s final appeal through the sale of drawings; made by the killer in jail; aims to raise awareness of state sanctioned execution in Western civilisation. The artists previous works have presented the audience with equally difficult questions and dilemas relating to their participation in the works. In 2000 he exhibited food blenders filled with water and goldfish (above) and invited visitors to switch the blenders on and in 2007 he held a dinner party where guests were served meatballs made with fat removed from his own body during a liposuction procedure.

www.evaristti.com

source: The Art Newspaper: Clemens Bomsdorf